Story, held in
light and frame.

A thriller strung tight — a night that turns, rooms that close in, and people who don't get to walk it back. Shot in hard, saturated pools of light with the camera kept close to the panic.

A domestic unravelling shot in a quiet, close register — the dread that lives in ordinary rooms. Muted daylight, held frames, and faces given room to come apart.

Faith, guilt and adolescence, cut between colour and black-and-white. Cathedral light and school corridors, framed for the weight a young conscience carries.

Two childhood friends, long grown apart, set out to reunite — and when the car gives out on the road up, the climb on foot becomes the journey that mends what the years had frayed. Shot against the wide Norwegian outdoors.